The series continues to delve into every facet of this theme—now including the awkwardness faced by Carrie Bradshaw (Sarah Jessica Parker). Watching the latest episode, I found myself genuinely feeling for Carrie. Despite her efforts to make her relationship with Aidan (John Corbett) work, the outcomes remain disappointing, even though they are geographically close. Does the benefit of a long-distance relationship outweigh its difficulties? Carrie may yet find the answer.
Carrie and Aidan’s Relationship Takes an Unexpected Turn
In Episode 3, titled “Carrie Golightly,” Carrie attends a conference in Virginia to be near Aidan, driving over to see him. Accompanying her is Seema (Sarita Choudhury), who has taken sick leave after learning her boss plans to retire, passing control of their company to someone else, bypassing her. Seema’s frustration is understandable—she has always seen her boss as both friend and partner, yet decisions were made unilaterally, without consulting her. This season’s arc for Seema grows increasingly compelling as she struggles to balance career ambitions and personal upheaval. Though she seems reluctant to start anew elsewhere, I doubt this status quo will last long.
Returning to Carrie and Aidan, the couple appears on the brink of a significant, inevitable argument. Their relationship, as it stands, is fragile. Worse, Aidan seems oblivious to Carrie’s desire to integrate into his life in ways he hasn’t openly acknowledged. Who willingly dates a man, buys a house with him, and cares for his son Adira—only to find herself hidden away when visiting his farm?
Carrie’s Isolation and Emotional Distance
The episode ends with Carrie visibly embarrassed—a feeling many viewers can empathize with. Despite their proximity, Carrie remains an outsider to Aidan’s family life. His ex-wife is demanding custody of Adira, likely without his knowledge, while Aidan keeps Carrie at arm’s length. Housing her in a guest room overnight leaves Carrie feeling like a stranger, not a partner sharing life intimately. These unresolved tensions are explored with nuance and continue to engage viewers.
Charlotte and Lisa Face Workplace Challenges; Miranda’s Storyline Remains Underdeveloped
Meanwhile, Charlotte (Kristin Davis) and Lisa (Nicole Ari Parker) grapple with their professional lives. Charlotte struggles to keep pace with younger colleagues selling at afterparties and tries to maintain her composure despite feeling worn down by age and exhaustion. The series touches on an important issue: the challenges of aging in a demanding, unsympathetic work environment, especially when overtime expectations—whether explicit or implicit—are high. Charlotte’s efforts, though commendable, seem unsustainable, and the show hints that this phase may soon end. More in-depth exploration of ageism in the workplace would be welcome.
Lisa’s storyline centers on losing her long-time editor Grace (Quincy Taylor Bernstein) due to a new project led by Steve McQueen. This plot effectively raises questions about motherhood, workplace loyalty, and professional growth. Close working relationships foster unspoken loyalty, but at what cost? How long can one expect others to put their careers on hold for your benefit? Lisa confesses her project’s delay stems partly from parenting demands, while Grace, childless to our knowledge, sacrifices her own time and other projects to support Lisa. Though this issue is introduced with subtlety, the episode leaves room to further explore it and hints at Lisa’s impending new editorial partnership.
Miranda’s Underdeveloped Romantic Arc
Miranda’s (Cynthia Nixon) storyline remains undercooked in this episode. Her relationship with BBC producer Joy (Dolly Wells) shows promise, especially in a brief, sensual scene emphasizing their chemistry. Yet beyond this, Miranda’s arc stalls, lacking resolution or deeper engagement. Perhaps the writers are holding back to build anticipation for Joy’s role as Miranda’s next significant partner, but for now, the storyline feels incomplete. Viewers hope future episodes will expand this narrative.
And Just Like That airs Thursdays on HBO Max.
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