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Home News “The Surfer”: A Disappointing Tale of Hostile Localism at the Beach

“The Surfer”: A Disappointing Tale of Hostile Localism at the Beach

by Barbara

Australian Film “The Surfer” Misses Its Mark

The Australian film The Surfer, directed by Loken Finnegan, leaves audiences questioning the portrayal of hostile localism, offering a disappointing experience that fails to deliver on its promising premise. Initially, the film, starring Nicolas Cage and Julian McMahon, draws viewers in with an exciting trailer, teasing a dramatic, action-packed horror thriller. However, as the movie progresses, it quickly devolves into a series of absurd situations that fail to meet the expectations set by the trailer.

The premise of the film begins with potential—an individual, accompanied by his teenage son, returns to a serene beach where he once surfed. Upon arriving, they are confronted by a group of surfers who declare, “Locals only! You don’t live here! You can’t surf here!” The film sets the stage for a tense and gripping conflict. Yet, instead of resolving the issue, the protagonist stubbornly refuses to leave and remains at the beach, leading to a series of increasingly absurd and implausible events.

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While the premise might suggest a psychological thriller about proving one’s worth in a tight-knit community, the film veers off course, introducing an unintentional comedy. Audiences might find themselves laughing at the ill-conceived, over-the-top scenes, rather than feeling the intended tension and suspense.

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Stunning Landscapes Fail to Save the Film

Filmed entirely outdoors, The Surfer features breathtaking beach landscapes, blue skies, and vibrant sunsets, with extended shots of Australian wildlife such as kangaroos and kookaburras. These stunning visuals serve as a postcard for Australia but fail to compensate for the film’s weak narrative and poor character development.

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The film, a joint Australian-Irish production, wastes several opportunities for meaningful storytelling. The screenplay stands out as one of its greatest flaws, with a narrative that becomes more ridiculous with each passing scene. Most of the supporting performances, particularly those from the “party animal” characters, come across as unrealistic and laughable.

Nicolas Cage plays the determined but increasingly ridiculous protagonist who will go to any lengths to surf. Despite the script’s shortcomings, Cage’s performance remains surprisingly competent. However, one can’t help but wonder how he managed to maintain a straight face as the plot grew more absurd. Did he read the script before signing on? It’s a question that lingers throughout the film, as poor script choices seem to undermine his career.

The most memorable line in the film comes from a character who exclaims, “How sad!” This moment of honesty encapsulates the entire film—what could have been a tense exploration of localism and community quickly becomes an exercise in absurdity.

The Surfer is slated for a theatrical release on May 15, followed by an exclusive streaming premiere on Stan on June 15.

In the end, The Surfer is a missed opportunity, failing to live up to its dramatic potential. The mix of absurd humor, disjointed storytelling, and underwhelming performances leaves much to be desired. Fans hoping for an intense thriller may find themselves disappointed, as the film’s focus on over-the-top comedy detracts from the serious themes it sets out to explore.

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