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Home Film Knowledge Why Didn T She Shoot the Doll at the End of Longlegs?

Why Didn T She Shoot the Doll at the End of Longlegs?

by changzheng01

The conclusion of any film often leaves audiences with lingering questions, and the ending of Longlegs is no exception. One particularly perplexing aspect is the protagonist’s decision not to shoot the doll in the final moments of the movie. This seemingly simple act holds the key to understanding the character’s inner turmoil, the film’s overarching themes, and the director’s intended message. By delving into the various elements at play, we can begin to piece together the reasons behind this crucial choice and gain a deeper appreciation for the complexity of Longlegs.

Character Psychology and Emotional State​

Fear and Hesitation​

At the heart of her decision not to shoot the doll lies a profound sense of fear and hesitation. Throughout the film, the protagonist has been confronted with a series of terrifying and unpredictable events. The doll, which has often been associated with the malevolent forces at work, represents an unknown and potentially dangerous entity. Facing it directly in the final scene, she is overwhelmed by the fear of what might happen if she pulls the trigger.​

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This fear is not just a physical apprehension but also an emotional one. She has witnessed the doll’s connection to the horrors that have unfolded, and the thought of engaging with it further fills her with dread. The hesitation stems from a lack of certainty about the consequences of her actions. She may worry that shooting the doll could unleash an even greater evil or that it might not solve the problem at all. This internal conflict between the need to take action and the fear of the unknown paralyzes her, preventing her from making the seemingly straightforward decision to shoot.​

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Empathy and Compassion​

Another factor that may have influenced her decision is empathy and compassion. Throughout the story, the protagonist has shown a capacity for understanding and connecting with others, even in the most harrowing circumstances. The doll, despite its menacing appearance, may have evoked a sense of pity or sorrow in her. She might have recognized that the doll is not just a tool of evil but could also be a victim of the forces that have been manipulating it.​

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This empathy could have led her to hesitate before shooting, as she considered the possibility of finding a more peaceful solution. She may have hoped that there was a way to break the curse or free the doll from its malevolent influence without resorting to violence. This sense of compassion adds a layer of complexity to her character, showing that she is not a one – dimensional hero but someone who grapples with moral and emotional dilemmas.

Narrative and Plot Considerations​

Building Tension and Suspense​

From a narrative perspective, the decision not to shoot the doll serves to build tension and suspense. By withholding the expected action, the filmmakers keep the audience on the edge of their seats, wondering what will happen next. This moment of hesitation prolongs the climax of the film, heightening the sense of anticipation and making the resolution all the more impactful when it finally comes.​

The non – action also allows for a more nuanced exploration of the plot. It creates an opportunity for the story to take an unexpected turn, introducing new elements or revelations that could not have been achieved if she had simply shot the doll. This narrative choice adds depth and complexity to the story, making it more engaging and memorable for the audience.​

Foreshadowing and Plot Twists​

The decision not to shoot the doll may also be a result of foreshadowing and plot twists. Throughout the film, there have likely been subtle clues and hints that suggest there is more to the story than meets the eye. The doll’s role may be more complex than it initially appears, and her decision not to shoot could be a way for the filmmakers to set up future plot developments.​

For example, the doll might be a key to unlocking a hidden secret or a powerful force that could ultimately save the day. By not shooting it, the protagonist sets in motion a series of events that will lead to a more unexpected and satisfying resolution. This use of foreshadowing and plot twists adds an element of surprise to the film, keeping the audience guessing until the very end.

Symbolic and Thematic Significance​

The Nature of Good and Evil​

The doll in Longlegs is often a symbol of evil, and the protagonist’s decision not to shoot it can be seen as a commentary on the nature of good and evil. It challenges the traditional binary view of these concepts, suggesting that the line between them is not always clear – cut. By choosing not to resort to violence, she is questioning whether killing the source of evil is the only solution.​

This decision also reflects on the idea that true heroism may not always involve physical confrontation. Instead, it could be about finding a more compassionate and understanding way to deal with evil. The film may be suggesting that sometimes, the most powerful act of heroism is to resist the urge to fight back and instead seek a more peaceful resolution, even in the face of great adversity.​

The Power of Choice and Consequence​

The moment when she decides not to shoot the doll is a powerful exploration of the theme of choice and consequence. Every decision we make has an impact, and this choice in the final scene is no exception. By not shooting, she is taking a risk, knowing that it could have far – reaching consequences.​

This theme is further emphasized by the uncertainty that follows her decision. The audience is left to wonder what will happen next, and how her choice will shape the outcome of the story. It serves as a reminder that in life, we are often faced with difficult choices, and the consequences of those choices can be unpredictable. The film uses this moment to explore the complexity of human decision – making and the importance of considering the potential consequences of our actions.

Director’s Intent and Artistic Vision​

Challenging Audience Expectations​

The director of Longlegs may have chosen to have the protagonist not shoot the doll as a way to challenge audience expectations. In many horror and thriller films, the typical ending involves the hero defeating the evil force through a violent act. By subverting this convention, the director forces the audience to think differently about the story and the characters.​

This artistic choice also encourages the audience to engage more deeply with the film. Instead of simply expecting a predictable outcome, viewers are forced to analyze and interpret the protagonist’s decision, leading to a more rewarding viewing experience. It shows that the director is not afraid to take risks and push the boundaries of the genre, creating a film that stands out from the crowd.​

Conveying a Deeper Message​

Ultimately, the decision not to shoot the doll is likely part of the director’s larger artistic vision to convey a deeper message. It could be a statement about the human condition, the nature of violence, or the power of empathy. By leaving the audience with this unresolved moment, the director invites them to reflect on these themes long after the film has ended.​

The film may be suggesting that in a world filled with violence and conflict, we should strive to find more peaceful and compassionate ways to solve our problems. The protagonist’s decision not to shoot the doll serves as a powerful example of this message, challenging the audience to consider how they would act in similar situations and what values they hold dear.

Conclusion

The protagonist’s decision not to shoot the doll at the end of Longlegs is a complex and multi – faceted choice that is influenced by a variety of factors. From her character psychology and emotional state to the narrative and thematic considerations, as well as the director’s intent, every element plays a role in this crucial moment. By understanding these factors, we can gain a deeper appreciation for the film’s storytelling, character development, and overall artistic vision. The decision not to shoot the doll leaves the audience with much to ponder, making Longlegs a film that lingers in the mind long after the credits have rolled.

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