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Exploring Feminine Identity and Social Commentary in ‘In Her Place’

by Barbara

In the intriguing narrative of Maite Alberdi’s film In Her Place, set in Santiago, Chile, 1955, the complexities of women’s lives unfold against a backdrop of crime and societal expectations. The story centers around Mercedes (Elisa Zulueta), the unassuming secretary to a senior judge, and María Carolina Geel (Francisca Lewin), a notorious murderer.

The film is inspired by real events, as Geel, a celebrated writer, infamously shot her former lover during an afternoon tea at a prestigious hotel. After being sentenced to a mere two years in prison, she was released early through a presidential pardon. Alberdi, known for her unique storytelling in works like the documentary The Mole Agent, transforms these historical occurrences into a compelling narrative. The fictional Mercedes embarks on a journey of self-discovery as she assumes control of Geel’s apartment following her conviction.

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Alberdi employs an ingenious plot device: Mercedes, often overlooked at home and work, discovers a contrasting reality when she enters Geel’s luxurious apartment. Her life is filled with the chaos of an incompetent husband, Efrain (Pablo Macaya), a struggling photographer, and two indifferent adult sons. In Geel’s home, Mercedes experiences a fleeting sense of freedom. She tends to the apartment’s many plants, tries on elegant clothes, and relishes quiet meals, finding solace in a space devoid of the demands and expectations that burden her daily life.

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The film’s cinematography by Serge Armstrong and art direction by Pamela Chamorro evoke a classic period aesthetic, immersing viewers in a richly detailed historical context. While the premise may suggest a heavy exploration of gender issues, Alberdi maintains a light tone throughout. Zulueta’s performance as Mercedes radiates resilience and optimism, reminiscent of Giulietta Masina’s characters in Federico Fellini’s films, who embody an uncrushable spirit.

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The film skillfully balances its feminist themes with humor, cleverly illustrating societal absurdities. Mercedes’ sons mockingly refer to her as “the lawyer,” highlighting the impossibility of such aspirations for women of that era. The film addresses the pervasive sexism and societal pressures faced by women, depicted through everyday scenarios—such as the constant burden of household chores and the exclusion of women from social clubs.

In a standout scene, Mercedes visits Geel in a convent, capturing poignant images of another woman imprisoned for her own violent crime. Their encounter serves as a reminder of the harsh realities many women face, yet Mercedes responds with empathy, embodying a spirit of connection and understanding.

As Chile’s entry for the Academy Award, In Her Place is a unique and offbeat selection that successfully navigates its themes while remaining accessible. Alberdi’s film shines a light on the complexities of women’s lives in a male-dominated society, ultimately presenting a narrative that is as thought-provoking as it is entertaining.

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